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Still from Saara Akash Sara Akash - 1969
(The Big Sky)
Production
Cineye Films
Direction & Screenplay
Basu Chatterji
Genre
Off Beat
Camera
K.K.Mahajan
Music
Salil Chowdry
Editing
G.G.Mayekar
Cast
Rakesh Pandey, Madhuchhandu, A.K.Hangal, Dina Pathak, Mani Kaul, Tarla Mehta, Naditta Thakur, Jalal Agha
  Story Line
 
A traditional extended family in the small city of Agra, where the father is the figure of final authority, and marriages in the family are arranged by the elders on the basis of how much dowry the girl will bring. Samar, the younger son, is still at the University, when the family insists on finding him a bride. His sister-in-law is pregnant, and Samar's wife will come useful in the household. Apart from that, the girl they have chosen will bring a large dowry. Samar's bride, Prabha, is a graduate, but sexually inexperienced. So is Samar. In addition, he is pathologically shy, and did not want to get married in the first place. Not surprisingly, the wedding night is a disaster, and Samar stalks out to sleep on the terrace.

Though Samar is chided by the family, his resistance to his wife is soon accepted by everybody. It is Prabha who bears the brunt of their disapproval for being unable to please her husband. The elder brother's wife resents and envies Prabha's youth, good looks and most of all her education, and expresses her feelings through daily acts of petty cruelty. Only Samar's sister, abandoned by an unfaithful husband, can understand Prabha's predicament. Isolated and ridiculed, Prabha suffers the discipline of the domestic routine in silence. The elder brother's wife gets her baby, and the entire load of the household falls on the inexperienced Prabha. She makes one mistake after another, and finally, when she unwittingly uses holy clay to wash the utensils, Samar slaps her in front of the household. At the suggestion of Samar's sister, Prabha goes away to her parents for a few months.

Samar misses the wife he has never accepted, and fantasizes about reconciliation with her. But when she actually does come back, his feelings remain unexpressed. Prabha picks up her household chores once more in silent defiance. Samar, shy and remorseful, watches helplessly. This time it is Prabha who decides to sleep elsewhere. As she lies weeping alone on the terrace, Samar comes to her. Prabha's unprotesting silence gives way to anger. Suddenly the barriers melt away, and the two young people reach out to each other with passion.
  Award
 
Filmfare Award for Best Screenplay - 1971
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